Melissa Carper

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“I DON’T THINK YOU CAN GET THIS SOUND UNLESS IT’S BORNED IN YA.” said bluegrass legend Ralph Stanley, when asked about what he called “old-time mountain music.” When Melissa Carper heard those words, something jumped inside her. While staying in the country with a friend, she found an old DVD of Down From the Mountain, the documentary and concert film of the “O, Brother Where Art Thou” soundtrack that featured this particular Stanley interview. She immediately jotted down “borned in ya” on a piece of paper. “I knew I had to write that song,” she recalls.

In the Spring of 2023, Carper went back to East Nashville’s Bomb Shelter – the same “analog wonderland” where she’d recorded Ramblin’ Soul and its predecessor, Daddy’s Country Gold, and enlisted the help of her trusted co-producers – Dennis Crouch and Andrija Tokic. “Borned In Ya” would become the title track of the new album, out July 19th via Mae Music/Thirty Tigers.

Like much of her writing, the song applies a homespun sensibility – and a bit of humor – to questions about life’s journeys. “I was turning over in my mind what it means to have something ‘borned in ya’,” she said. “The song evolved as I was writing it to be more about having your soul ‘borned it ya,’ and the more life experience you have, you hopefully grow to embody the highest version of yourself that you can be.” “Borned In Ya” could certainly stand as a reflection on Carper’s life in music. “Authentic” might be an over- used word to describe an artist’s appeal, but there’s something so natural and true about Carper’s musicality that she must have been born with it: An easy sway to her singing, a precise, but laid back sense of timing. A feel. And, lyrically, she has an instinctive sense for storytelling, both observant and intuitive.”

As with the message of “Borned In Ya,” these traits have been sharpened by life experiences – including early music influences and the many turns of her career as a performer. Carper, born into a music-loving family, was raised on roots music, immersing herself in a family record collection that featured Hank Williams Sr., Loretta Lynn, Patsy Cline, Ray Charles, Johnny Cash, Elvis Presley, and more. The public school music curriculum in her home state of Nebraska gave Carper an opportunity to learn upright bass. “I remember wanting to play bass, to play the biggest string instrument, “ she recalls. Carper performed in her school orchestra – and also in her family’s country band. Led by her mother, the group played a mix of classics and the new country of the 80’s, but it was the old stuff that stuck with the young bassist. Along the way, Carper’s father gave her a collection of Jimmie Rodgers recordings, which made a defining impact. “He combined country and blues and jazz,” she recalls. “All of those elements, and the rawness of those recordings…I can’t quite put a finger on it, but I was obsessed.” Carper earned a music scholarship to attend the University of Nebraska-Lincoln. College didn’t quite take, but while there, she spent hours in the music library, drawn to jazz vocalists like Billie Holiday, Ella Fitzgerald and Frank Sinatra, and she discovered seminal blues artist Lead Belly.

You’ll hear all of these influences in the music Carper has made over the years as a member of numerous touring acts and as a solo performer. Classic country and Western Swing sounds come to the fore on Daddy’s Country Gold, Carper’s 2021 album. Country roots and old-time jazz are at the heart of ‘Ramblin’ Soul’ too, but the album also ventures confidently into R & B and Soul territory. Those albums helped Carper establish a growing fan base and earn accolades from music reviewers. One writer lauded her “cool jazz-infused hillbilly serenades that linger in the air like fresh-cut hay.” Rolling Stone Country praised both her writing and musical stylings: “Singer-bassist Melissa Carper sounds like a voice from a bygone era . . . evoking the cool, smoky croon of a lounge singer, Carper gives some winking commentary about having a good time.”

Perhaps the most meaningful praise for Carper’s music has come from the world-class musicians she’s worked with onstage and in the studio. One is multi-instrumentalist Chris Scruggs. He’s a veteran of Nashville’s studio world, has played with influential roots-country-rockers BR-549, and currently tours as a member of Marty Stuart and the Fabulous Superlatives. Scruggs has been proud to contribute to Carper’s albums, including her recent ‘Borned In Ya’ sessions. “She’s as good as it gets,” he said, “She has a quality that really transcends time and fashion.” It was Scruggs who dubbed Carper “Hilbillie Holiday” – an admiring nod to her marriage of country and jazz vocal styles. “ I stand by that,” he said. “She can sing Hank Williams and then handle these old pop tunes, and the great thing is how natural she is – she doesn’t even really change her delivery.”