Missy Raines and Allegheny
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“The countless miles Raines has traveled are a gorgeous, weathered patina on her songwriting as well as the careful, intentional arrangements — and rearrangements — of these songs.” — The Bluegrass Situation
GRAMMY® Nominated for “Best Bluegrass Album” 2020 – Produced by Alison Brown
From her tenure playing with The Claire Lynch Band, Eddie Adcock, Josh Graves, Jim Hurst, Kenny Baker, and Jesse McReynolds to her 8 International Bluegrass Music Association Bass Player of the Yearawards, Missy Raines has proven herself without doubt as an iconic bluegrass instrumentalist. But with her newest release, Royal Traveller, Raines has stepped into the spotlight as a songwriter for the first time. The album digs deep into Raines’ family life and her upbringing in West Virginia. Featuring previous and current members of her live band, as well as cameos from other bluegrass greats such as Stuart Duncan and Tim O’Brien, the album is a gorgeous look into the perspective, history, and musical influences of one of Nashville’s most beloved musicians, Missy Raines.
Royal Traveller is Raines’ third album for Compass Records, and the first produced by Compass’ owner and founder, and renowned banjo player Alison Brown. “I went into this project with Alison with the mindset that I wanted to stretch myself and see what I could do. I think we achieved what I was looking for, which is something further reaching and bigger than what I would have accomplished on my own,” says Raines.
In 1998, Raines became the first woman to win IBMA’s Bass Player of the Year award and she went on to win the title repeatedly for the next several years. Royal Traveller highlights this particular piece of Raines’ history with the stand out track “Swept Away”, which features the 5 first women to win IBMA instrumentalist awards, Raines, Brown, Sierra Hull, Becky Buller, and Molly Tuttle. “Swept Away” was named 2018 IBMA Recorded Event of the Year.
“Raines is not only a superb bassist but also an excellent singer, with a matter-of-fact, low-key delivery, that’s sometimes hushed, sometimes seductive, sometimes channeling a simmering unease.” – New York Music Daily