With a passion for improvisation and live performance, Junkyard seamlessly blends blues and bluegrass to create original compositions before your eyes!

“…a perfectly balanced dose of sweet melodicism and summertime blues. The band’s sun-lit acoustic tones, winsome harmonies, and bright pop melodies combine for a welcome burst of indie folk charm.” – Under the Radar Magazine

With a passion for improvisation and live performance, Junkyard seamlessly blends blues and bluegrass to create original compositions before your eyes!

Presenting a sound precisely at the crossroads of traditional and progressive bluegrass. This isn’t just another run-of-the-mill bluegrass album or band; it’s cathartic and dirty grass.

Before The Avett Brothers were selling out arenas, before Mumford & Sons were becoming the biggest band in music …the Hackensaw Boys were mixing bluegrass and old time music with a punk attitude, and reshaping what a modern old school string band could sound...

“A delicious collection of alt-pop” (HuffPost); “inviting and enchanting, warming the soul” (Music-News.com); while “showcasing a melodic vein of pop that recalls Brian Wilson” (Obscure Sound).

Before The Avett Brothers were selling out arenas, before Mumford & Sons were becoming the biggest band in music …the Hackensaw Boys were mixing bluegrass and old time music with a punk attitude, and reshaping what a modern old school string band could sound...

“A delicious collection of alt-pop” (HuffPost); “inviting and enchanting, warming the soul” (Music-News.com); while “showcasing a melodic vein of pop that recalls Brian Wilson” (Obscure Sound).

Of Martin, No Depression says: “Dogs in the Daylight is as close to a masterpiece as a folk album by an emerging singer-songwriter can get.”

For more than 20 years, Toronto’s Enter The Haggis has been bringing a rock edge to contemporary celtic music by effortlessly melding bagpipes and fiddles with classic rock n’ roll instrumentation and AAA-friendly vocals.