“The natural sounds of birds singing and the crashing waves is soothing, just like Hadley’s expressive vocals, and they mesh beautifully with the acoustic guitar strumming and stunning harmonies.” -Up & Coming Music Blog
Adrian Krygowski’s gritty vocals, Meredith’s Krygowski’s fiery fiddling, and the band’s distinctive, foot-stomping bounce and sense of eclecticism—all of it has ferocious intentionality.
“The natural sounds of birds singing and the crashing waves is soothing, just like Hadley’s expressive vocals, and they mesh beautifully with the acoustic guitar strumming and stunning harmonies.” -Up & Coming Music Blog
With spirited fiddle melodies weaving in and around the powerful rhythms of the bass and bouzouki, and other times poignant and poetic, with sublime vocal harmonies beautifully interpreting some of the oldest songs ever written.
The Montvales play stripped-down, banjo-and-harmony-driven songs that stick with you. Their shows will take you to places both raucous and reverent, equal parts honky-tonk mischief and earnest meditation on friendship, heartbreak, and place.
Their blending of styles, penchant for inciting dance parties, and penning of introspective ballads has garnered them high praise on the Canadian festival circuit from BC to PEI, with breakout performances at Hillside, Evolve, and many more.
The Montvales play stripped-down, banjo-and-harmony-driven songs that stick with you. Their shows will take you to places both raucous and reverent, equal parts honky-tonk mischief and earnest meditation on friendship, heartbreak, and place.
“Encapsulating…ageless storytelling…takes facts of George Harrison, Father John Misty, and Devendra Banhart into a twangy mystic stew that forms its own baroque twang style.” — Glide Magazine
Andrew Duhon is a songwriter from New Orleans whose ability to craft a 3-minute novel has earned him comparisons to John Prine and Jim Croce, while the powerful soul of his voice evokes a youthful Van Morrison.
“Encapsulating…ageless storytelling…takes facts of George Harrison, Father John Misty, and Devendra Banhart into a twangy mystic stew that forms its own baroque twang style.” — Glide Magazine